Barbarism and Civilization
Sometimes I wonder if we writers don’t just try too hard at
times to make our ‘point’ come across at times.
Like the ridiculous chapter in Grapes of Wrath involving a tortoise
crossing the road, the very first chapter with its description of the invading
horde of tourists in the small town seems to me to be a classic example of
this. It is a blatant obvious and rather
distracting metaphor. I have to wonder
if it wasn’t written after the story was first drafted and simply tacked on as
if to say ‘This is what the story means’.
It seems excessive, heavy handed, and not really fitting
with the rest of the story, but then trying to pull a literary stunt like that
often feels false to readers. Anything
that is so obvious a metaphor like that smacks of an elitism that infuriates
me. Of course it could also be
completely intentional and designed as a sort of ‘Take that!’ moment for the
author. Never underestimate the deviousness of a writer of public fiction.
If it is actually symbolic though, many of the more
fantastical elements of the story of Rawhead Rex revolve around a struggle
between a pair of dualities. The
barbaric baby-eater of Rawhead Rex stands opposed to a god of fertility, destruction
and creation paired together. If one were to seriously put a lot of weight in
intentional symbolism for this story, one could see a classic theme of
civilization verses barbarism.
Civilization usually does seem to be symbolized by fertility (fertile crescent
and so forth) while barbarism seems to be often symbolized by violence and death,
let alone something as horrific as Rawhead Rex.
Despite this a lot of the story felt rather routine, with a
sort of ‘awakening buried evil’ plotline.
The characterization and development seemed rather flat and there’s
extensive use of omniscient point of view and ‘head hopping’ that seems rather
distracting considering how much we’re encouraged to avoid it. I have used the technique of the POV switch
in the midst of a lethal encounter myself and have to say it’s tough to use, so
kudos for actually using the technique go to the author there.
I agree. Clive Barker does an excellent job pulling off the omniscient narrative style. I just wish I knew how he did it.
ReplyDeleteI didn't pickup on the civilization verses barbarism theme. I thought the sexuality theme was more obvious, but I follow your argument. He did beat the theme over our heads without much background development. I also had a problem with the head hopping. At one point, I had to read a paragraph twice to figure out who it was about. Oh, and--Down with the tortoises!
ReplyDelete